katharinasophiahuttermann@gmail.com
Katharina Sophia Hüttermann (b. 1995, Seehausen, Germany) studied Art and Visual History as well as Economics (B.A.) at Humboldt University of Berlin, and Art in Public Space and New Artistic Strategies (M.F.A.) at the Bauhaus University Weimar. Her artistic practice is shaped by questions of identity and origin, which she addresses primarily by means of video performance. Her works have been shown, among others, at Seeburg– Bootshalle Kiel (2025), 480 site specific, Naples (2024), Haus der Statistik, Berlin (2023), Bauhaus Museum Weimar (2022), and the Kunstsammlungen Chemnitz (2021).
Hüttermann draws from biographical experiences; her body serves as a reservoir and medium for everything collected and negotiated in the studio. Her practice spans video performance, drawing, assemblage, sculpture, text, and sound. The body, in its fleeting and sublime moments, is continually retranslated and embedded anew. Elements of video—loop, seriality, precise framing—are transferred to various media and extended into the space, forming an intermedial field that makes movement, rhythm, and inner logic perceptible.
katharinasophiahuttermann@gmail.com
Katharina Sophia Hüttermann (b. 1995, Seehausen, Germany) studied Art and Visual History as well as Economics (B.A.) at Humboldt University of Berlin, and Art in Public Space and New Artistic Strategies (M.F.A.) at the Bauhaus University Weimar. Her artistic practice is shaped by questions of identity and origin, which she addresses primarily by means of video performance. Her works have been shown, among others, at Seeburg– Bootshalle Kiel (2025), 480 site specific, Naples (2024), Haus der Statistik, Berlin (2023), Bauhaus Museum Weimar (2022), and the Kunstsammlungen Chemnitz (2021).
Hüttermann draws from biographical experiences; her body serves as a reservoir and medium for everything collected and negotiated in the studio. Her practice spans video performance, drawing, assemblage, sculpture, text, and sound. The body, in its fleeting and sublime moments, is continually retranslated and embedded anew. Elements of video—loop, seriality, precise framing—are transferred to various media and extended into the space, forming an intermedial field that makes movement, rhythm, and inner logic perceptible.